Yes, Déjà Vu seems hyper-slick, even as it strives for earthiness. But I certainly understand where you are coming from to a certain extent. Klinger: It sounds as though you may be of more than two minds here, Mendelsohn, (and thanks but I just had lunch). We could spend days talking about it or we could just go get some sausage. What do you think, Klinger? This record is a doozy it sits somewhere between the folk rock, flower power movement of the 1960s and the overly-stylized AOR rock of the 1970s and somehow manages to be a bridge between the both without ever being either. I will never shave it again”?Īnd for some unexplainable reason, I have a hankering for sausage. I’m not really sure.Īlso, do you think David Crosby grew that mustache and then said to himself, “This is the single most important thing I have ever done. Maybe it’s just the way they sing those vocals. I imagine that none of them wanted to turn down their own vocals even if they were just backing vocals. It might just be a consequence of production, since all four prime movers acted as producers. On the other hand, I’m supremely annoyed every time Crosby, Stills, Nash and Young all sing at the same time. On the one hand, there is some top-notch song-writing and instrumentation on this record-just high-end, super slick, well-executed recording.
Mendelsohn: I’m of two minds when it comes to Crosby, Stills, Nash & Young’s Déjà Vu.
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